Fashion was expected to expose the cold realities of Indias fashion industry, but it ends up revealing Madhur Bhandarkars limitations as a writer and director.Just like his last two films, Corporate and Traffic Signal, in Fashion too Bhandarkar skims the surface instead of digging deep. For those who are aware of his style of filmmaking, it is a predictable narrative.

The movie, touted as his costliest and most glamorous so far, is said to be doing well at the box office. But it doesnt go int